Nicole Russo

Nicole Russo

Graduating Student Art Exhibit

Nicole Russo

Mixed Media

Exhibit: 11/16-12/11/17

Reception and Artist Gallery Talk:
Thursday 11/16/17  6:30-8:30 pm


Artist Statement

I attempt to push myself in new ways each time I take on a project. I look at making art as a way for me to challenge the previous pieces that I created. I enjoy the struggle of learning a new skill or simply jumping right into an idea that I have. Constantly being presented with hurdles has helped me grow as an artist and as an individual.

From The Gallery

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Nayda A. Cuevas


Holy Family Art Gallery

Hispanic Heritage Month Event

Nayda A. Cuevas

#Latina: Reclaiming the Latina tag

Portrait of Latin@ Diversity 

Series of 100 Portraits

Exhibit:  10/4-10/30/17

Meet the artist: Wednesday 10/18

 12:00p.m – 2:00p.m

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Artist Statement

 #Latina: Reclaiming the Latina tag allows exploration to discuss Western society’s view of the myth/stereotype of the Latina woman. The series consists of 100 selfie portraits measuring 3”x5” of those women whom posted their selfies on the Tumblrblog. Reclaiming the Latina Tag blog exists on the social media Tumblr and the creator encourages woman to post selfies of a non hyper-sexualized image of what it truly means to be or look like a Latina. By re-presenting the quickly created selfie with a more traditional, time sensitive painting approach and hanging it on an art gallery wall, I want viewers to also slow down and more deeply engage the politics of identity negotiated in a portrait, from ethnic identity to social activism. My portrait paintings represent a journey in my continuous search to make connections with the people around me. Exploring my identity produces a visceral exchange of personal and political identity while cultivating an awareness of “otherness.”

From the Exhibit:


Peter Morgan


Holy Family Art Gallery

Birds of a Feather

sculptures and works on paper by

Peter Morgan

Exhibit: 9/1-9/27/17
Reception: Wednesday 9/20 12:00-2:00


The Holy Family University Gallery is pleased to present Peter Morgan’s:

Birds of a Feather

Peter Morgan is a native son of Virginia, with a MFA in Ceramics from the New York State College of Ceramics at Alfred University. He has exhibited throughout the United States and Europe, and notable residencies include the Clay Studio and the Archie Bray Foundation. Currently, Peter maintains his studio in Phoenixville, PA. In 2016 Peter was selected as one of the National Council on Education for the Ceramic Arts (NCECA) Emerging Artist awardees, and was the 2016 recipient of the Victor Spinski Award. He is a founding member of an artist run space in Philadelphia called Practice, which focuses on performance, participation, and experimentation. Peter has taught at Cal State Long Beach, Gettysburg College, Tyler School of Art, and for the Claymobile in Philadelphia. His work is in notable collections including the Shein Joseph International Museum of Ceramic Art and the Toki Collection.

Artist Statement

My work is an exploration of the world through an investigation of location, representation, perception, taxonomy, and language. The pieces challenge what we know, and how we know it, through an illustration and celebration of cultural mythologies. The subjects are often archetypal depictions focusing on idealized understandings and desires of the subject, rather than their actuality. I think of my sculptures as platonic ideals collaged from a global encyclopedia. The encyclopedia is a place, where in theory all the information in the world is kept in a concise and easy to read format. Much in the same way as a viewer may initially approach my work. Frequently I utilize shifts in scale, transforming everyday objects into vast landscapes, and conversely converting massive objects into toy-sized replicas. Through this macro/micro shift, the work compares experiences with such objects to representations via books and popular culture. Viewing the world though the lens of the absurd, I seek to challenge our cognitive processes, by creating connections between often seemingly disparate topics. Through the use of puns and analogies I create links between seemingly disparate entities via language and categorization. I am interested in how the mind makes connections and fills gaps of information to create a cohesive vision. Even though the vision may be absurd or fantastical, though these explorations I hope to come to a greater understanding of the world, how it is constructed, and why.

Please join the Holy Family Art Gallery at the artist reception.

Holy Family University Gallery is on the Lower Level of the Sister Francesca Onley Education and Technology Center.

Contact: Pamela Flynn


From the Gallery


Peter Morgan

Kelly Greene, Iesha Liberato, Christina Little

Graduating Students Art Exhibit

Exhibit: 4/24-8/1/17

Reception and Artists Gallery Talk: Tuesday 4/25/17  6-8pm


Kelly Greene

I have always been drawn to both trees and human faces. I love finding that both in trees and in faces you will never find two that are exactly alike. It is the diversity of them that I love, and the never ending possibilities that I can create.

Another reason I focus on trees is because of age: they live so long. If they could tell stories I always wonder what they would say. For every tree I create I have a story that goes along with it. I create the events that occur around them.

The heads I have made also have their own stories. I have always wanted to write a book and these faces are the characters I have envisioned and created to go into my story. They all have their own personality to me. Another reason I have created the heads is because I find mystery surrounds the elderly. I want to know what they have experienced and who they were in the past before I have come to know them. The same goes for the young, but instead of their past I wonder about the events that have not passed yet in their life and who they will become. Every line in a face and every sparkle in an eye have a story behind them that makes the person who one is and it makes me wonder about everyone I meet. Time and age fascinate me and that is why I have focused on both trees and faces.

From The Gallery:



Iesha Liberato

Philippians 4:6-7

Do not be anxious about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which surpasses all understanding, will guard your hearts and your minds in Christ Jesus.

From the Gallery:



Christina Little

Art is a way to express yourself, and bring out the beauty that we fail to see in our everyday lives. In my paintings I displayed the beauty in nature and the human figure to show how they relate to one another and how we fail to see how much they co-exist. Our body is our canvas and each part of it is beautiful in its unique way. Displaying how our body relates to nature shows that we are one with nature. Each of these pieces is the reflection of the self and how you are able to find your own inner piece. My sculptors bring both the pain and also the joy to the eyes of the viewers in Togetherness, and Fetal Position. It is difficult for individuals to talk about their past life, so they personally have to find their inner strength to overpower their struggles. This is why some of the work displays happy content to show that we can find inner peace and, in essence, find our inner self and positivity in our lives.

From the Gallery:



Katelyn Scherber and Ashley Shackleford


Holy Family Art Gallery

Graduating Students Art Exhibit

Ashley Shackleford

Katelyn Scherber

Exhibit: 4/7-4/21/17

Reception and Artists Gallery Talk:
Tuesday 4/11/17  5-7pm

Split Personalities

By Ashley Shackleford


Artist Statement

This art exhibit shows both of my personalities. When looking at my artwork hanging on these walls you will feel so many emotions all at once. All of the bright colors I have used will bring you much happiness while the darker tones I used may bring anger. Emotion is a huge aspect of art and can vary in many ways. Everyone’s emotions are different.

The colors I have chosen are very bright and vibrant to reflect on the American Traditional style of tattooing. I have made four complete designs; one painting and one print to go with each. The paintings show big bold lines as well as color, while my prints are black and white and consist of very thin strokes that show more detail. I thoroughly enjoy the field of tattooing and love to incorporate it into my artwork. Tattoos are a way for one to express oneself through body ink. Tattoos make you unique and show off your creativity; which to me is an amazing thing.

My other artwork that is shown shows off my athletic abilities. I love being in the gym and staying in great shape. I conducted my own little business called Body By Shack, as a personal trainer. Being able to continue pursuing my goals in the gym while helping others achieve theirs, is perfect for me. I made business cards, a t-shirt, flyers, and a website for those who are interested. On the shirt that I made, I added my business logo so my clients would be able to show off their new workout clothes and start to feel great in their own body. Art and the gym are two of the most important things in my life besides my family. I can always lean back on both to relax or to collect my thoughts. I wouldn’t want it any other way. -Ashley Shackleford

From the Gallery



Pain then Love

By Katelyn Scherber


Artist Statement

There are two parts to my show, pain and love.

Pain: I was asked a question my freshman year of college. It was, “What sparks a particular emotion to you?” and my first initial answer was pain. My father was a heavy smoker that (at the time) made me angry and hurt that he chose cigarettes over his own health and well-being. All that pain from him choosing to smoke then to actually want to live his life, was brought out in a lot of my work. After he was diagnosed with esophageal cancer, all my hate and anger turned in to complete pain. After a year of dealing with the pain, I decided to try and turn my art around and focus on what I love. Within all these works, you’ll begin to notice the different mediums used to express my emotions in many different ways.

Love: My last cigarette painting was a watercolor painting where the smoke turned into butterflies. It was painting that finally made me realize that it’s time to start focusing on my happiness and myself. In my Printmaking II class, I created five different animal faces. Although it is not as personal as my cigarette pieces, drawing all the animals allowed me to open up the more positive side of me. I find the beauty in all the wild creatures I drew. Lions are strong and have beautiful manes. Giraffe are tall and always rise up when they are down. Goats are independent but still have a sense of personality. Foxes are cunning and can have beautiful coats. But there was one animal that isn’t as wild. This is more of the personal side that I wanted to incorporate. The dog is a symbol of loyalty and after having a very difficult summer; I was still able to come home to my dog who would be there for me on my darkest days. He would give me a sense of protection when I needed it. Moving on to the four magazine covers, they are about being me, living as a student-athlete on a college campus. It became a routine of watching what I eat and how much I can afford to buy. The irony in my work comes from how college students, who can have the busiest of schedules as they study so they can get a job to afford “luxurious” food but can only find time to eat and afford quick, cheap meals. –Katelyn Scherber

From the Gallery

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Margi Weir


Holy Family Art Gallery

Frontline Series

Ink Drawings By

Margi Weir

Exhibit: 3/2-3/30/17


The Holy Family University Gallery is pleased to present

Frontline Series, Ink Drawings by Margi Weir

Ms. Weir earned her MFA in painting from the University of California at Los Angeles (UCLA); her MA in painting from New Mexico State University. She also holds a BFA in painting from San Francisco Art Institute and BA in art history from Wheaton College in Massachusetts.

Ms. Weir has had solo exhibitions at Ivan Karp’s OK Harris Gallery in New York, and the Ruth Bachofner Gallery in Santa Monica, CA.   She has completed installation pieces at Athens Institute of Contemporary Art (ATHICA), Lexington Art League (KY) and the Las Cruces Museum of Art (Las Cruces, NM)

Awards for her work include First Prize in the Contemporary Art Center of Las Vegas’ Juried Exhibition in 2012; the prize for Best Work on Paper in the first Southwest Biennial at the Albuquerque Museum in 2006; and Best of Show in the New Directions in Fiber exhibition at the CORE Art Center in Denver CO in 2004.

She is, currently, an Assistant Professor of painting and drawing at Wayne State University in Detroit, Michigan 

Artist Statement – Margi Weir:

I began making drawings of ink and ink wash about 10 years ago using a technique that I call a “snap line”. A snap line is the mark made by dipping cotton twine into liquid ink or diluted ink, pulling it tight and snapping it against the paper in an action similar to plucking a guitar string. It is a record of the violent impact of ink with paper. It suggests an event, an explosion, a reverberation, yet the over spray lends a softness to the line quality. I like the idea that something beautiful on the surface has an underlying violence, a dark side, if you will.

I moved to Detroit in 2009 to join the faculty of Wayne State University.   I found, not only Detroit, but the Mid-West in general, to be full of unfamiliar sights and sounds.   I was also confronted by the architectural decay that was, initially, frightening. I began to draw these skeletons of buildings to familiarize myself with my new environment. Through drawing, I learn to understand new information. I internalize it and know it in a way that transforms it into something familiar and less frightening. These drawings are fairly large but they are intimate studies of my neighborhood as I become familiar with it. You could say that I am drawing close to Detroit. I have titled the series “Frontline: Detroit” because I still begin my drawings with snap lines. I use them to find the main compositional and architectural lines to anchor the drawing. As I paid closer attention to the urban ruins, I found that they are not only in Detroit. I began to notice them all across the country. There are architectural bones of regional cultures that dot the countryside along Route 66. There are ruins of motels, gas stations and, actually, whole towns. There are “bones” left from natural as well as financial disaster. So I have expanded the “Frontline Series” to include Route 66 and other cities in America.

My drawings continue to be private attempts at understanding my surroundings. In the summer of 2013, I began to notice the reclamation by nature of the empty lots left by fire or blight removal. The opulent vegetation makes these open spaces appear pastoral in the heart of the city. These “Terrain Vagues”, which are no longer city but not country either, are my focus in recent drawings. “Terrain Vagues” is a French phrase for urban outlying areas that are “in between” the city development and the pastoral country. That seems to be an appropriate description of these patches of open space within the City of Detroit.

Please visit the Holy Family Art Gallery.

Holy Family University Gallery is on the Lower Level of the Sister Francesca Onley Education and Technology Center.

Contact: Pamela Flynn